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During screen printing and mimeography the images for stenciling are broken down into color layers.Multiple layers of stencils are used on the same surface to produce multi-colored images.In Europe, from about 1450 they were commonly used to colour old master prints printed in black and white, usually woodcuts.

Stencils may have been used to colour cloth for a very long time; the technique probably reached its peak of sophistication in Katazome and other techniques used on silks for clothes during the Edo period in Japan.With some designs, this is done by connecting stencil islands (sections of material that are inside cut-out "holes" in the stencil) to other parts of the stencil with bridges (narrow sections of material that are not cut out).Stencil technique in visual art is also referred to as pochoir.Stencilling produces an image or pattern by applying pigment to a surface over an intermediate object with designed gaps in it which create the pattern or image by only allowing the pigment to reach some parts of the surface.The stencil is both the resulting image or pattern and the intermediate object; the context in which stencil is used makes clear which meaning is intended.

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